“It was kind of a strange position to be in – on one hand we are making a film about the Vagine Regime, and on the other hand we are the Vagine Regime. In the end, we got to weave Crystal’s story into the broader narrative of the evolution of roller derby from a niche sport into a social movement that has strong roots in the LGBTQ community. We are activists first and filmmakers second – this film allowed us to merge the two and use our filmmaking to celebrate our feminism.”
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